Cinema
Cinema Schedule
Cinema Rentals
Directions
Tickets
Calendar
About
Staff
Board
Jobs & Internships
Directions
Tickets
Logos & Style Guide
Contact
Membership
Membership Benefits
Join or Renew Your Membership
Membership FAQ
Membership Discounts
SFFS Member-Only Events
Member News & Notes
Donate
Foundation Giving
Individual Giving
Donate Now
Donate to the Film Society in Memory of Bingham Ray
Sponsor
Sponsorship Opportunities
Sponsorship Benefits
Volunteer
SFFS Volunteer Handbook
Code of Conduct
Press
Releases
Press Materials
Accreditation
SFFS in the News
Contact Publicity
EXHIBITION
SF Film Society Cinema
Sleeping Beauty
Domain
Once Upon a Time in Anatolia
Margaret
Roadie
KinoTek
The Dardy Family Home Movies by Stephen Sondheim by Erin Markey
Writing Comedy for Live Performance
Past KinoTek programs
SF International Film Festival
Call for Entries
Golden Gate Award Winners
Festival History
Special Presentations
The Dardy Family Home Movies by Stephen Sondheim by Erin Markey
SFFS Film Arts Forum
SFFS Film Arts Forum: Digital Distribution Now
Past Film Arts Forum Events
Fall Season 2011
Hong Kong Cinema
Taiwan Film Days
NY/SF International Children's Film Festival
French Cinema Now
Cinema by the Bay
SF International Animation Festival
New Italian Cinema
Archive
Tickets
Buying Tickets FAQ
Theater Rentals
EDUCATION
Film Craft & Film Studies Classes
Upcoming Classes & Workshops
Young Filmmakers Camp
Scholarships
Instructors
FAQs
Videos
Supporting Sponsors
Contact
Youth Education
Screenings for Schools
Schools at the Festival
School Visits
Filmmakers in the Classroom
Young Filmmakers Camp
Youth Media
Professional Development
Resources
Archive of Past Events
Get Involved
Colleges & Universities
Artist in Residence
A Useful Life
Winter 2011 Artist in Residence
Causes & Impacts
Case Studies
FILMMAKER360
Project Development
Current Projects
The SFFS Program
How Donations Work
How to Apply
IndieGoGo Partnership
Fiscal Sponsorship FAQs
Funding Resources
Reports to the Film Society
Contact
Grants
SFFS Documentary Film Fund
SFFS/KRF Filmmaking Grants
SFFS/Hearst Screenwriting Grant
Djerassi/SFFS Screenwriting Fellowship
Golden Gate Awards
Contact
FilmHouse Residencies
FilmHouse Overview
FilmHouse Guidelines
FilmHouse Residents
House Rules
FilmHouse Floor Plan
Deadlines At-A-Glance
Filmmaker Advisory Committee
Filmmaker News & Notes
June 2011
May 2011
April 2011
January 2011
October 2010
August 2010
March 2010
January 2010
November 2009
Past Grant & Residencies Recipients
Past KRF Grant Recipients
Past Hearst Grant Recipients
Past Djerassi Screenwriting Residents
Past FilmHouse Residents
Full Calendar
Buy Tickets
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FILM ARTS FORUM
SFFS Film Arts Forum: Digital Distribution Now
Tuesday, February 7, 7:30 pm
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
FILM SOCIETY CINEMA
Roadie
February 24-29
Showtimes 2:30, 5:00, 7:00, 9:15
View calendar as:
Grid
|
List
Film Society Cinema
Festivals
Special Events
Education
Special Screenings
Other Events
February
2012
SUNDAY
MONDAY
TUESDAY
WEDNESDAY
THURSDAY
FRIDAY
SATURDAY
29
FILM SOCIETY CINEMA
Sleeping Beauty
January 27–February 2, 2012. Showtimes 2:00, 4:30, 7:00, 9:15. Note: there will be no 7:00 screening on Monday, January 30.
Acclaimed Australian novelist Julia Leigh’s debut feature is a kinky and elegantly filmed portrait of a pretty college student named Lucy who takes a very strange job. While provocatively riffing on the eponymous fairy tale,
Sleeping Beauty
also references classic works by Buñuel and Georges Bataille.
30
FILM SOCIETY CINEMA
Sleeping Beauty
January 27–February 2, 2012. Showtimes 2:00, 4:30, 7:00, 9:15. Note: there will be no 7:00 screening on Monday, January 30.
Acclaimed Australian novelist Julia Leigh’s debut feature is a kinky and elegantly filmed portrait of a pretty college student named Lucy who takes a very strange job. While provocatively riffing on the eponymous fairy tale,
Sleeping Beauty
also references classic works by Buñuel and Georges Bataille.
31
FILM SOCIETY CINEMA
Sleeping Beauty
January 27–February 2, 2012. Showtimes 2:00, 4:30, 7:00, 9:15. Note: there will be no 7:00 screening on Monday, January 30.
Acclaimed Australian novelist Julia Leigh’s debut feature is a kinky and elegantly filmed portrait of a pretty college student named Lucy who takes a very strange job. While provocatively riffing on the eponymous fairy tale,
Sleeping Beauty
also references classic works by Buñuel and Georges Bataille.
1
FILM SOCIETY CINEMA
Sleeping Beauty
January 27–February 2, 2012. Showtimes 2:00, 4:30, 7:00, 9:15. Note: there will be no 7:00 screening on Monday, January 30.
Acclaimed Australian novelist Julia Leigh’s debut feature is a kinky and elegantly filmed portrait of a pretty college student named Lucy who takes a very strange job. While provocatively riffing on the eponymous fairy tale,
Sleeping Beauty
also references classic works by Buñuel and Georges Bataille.
2
FILM SOCIETY CINEMA
Sleeping Beauty
January 27–February 2, 2012. Showtimes 2:00, 4:30, 7:00, 9:15. Note: there will be no 7:00 screening on Monday, January 30.
Acclaimed Australian novelist Julia Leigh’s debut feature is a kinky and elegantly filmed portrait of a pretty college student named Lucy who takes a very strange job. While provocatively riffing on the eponymous fairy tale,
Sleeping Beauty
also references classic works by Buñuel and Georges Bataille.
3
FILMMAKER EDUCATION
Find Your Story: Narrative
Friday, February 3, 6:00-10:00 pm; Saturday, February 4, 1:00-5:00 pm; Sunday, February 5, 1:00-5:00 pm
A well-crafted film tells a memorable story in pictures, words and movement. This workshop will help you shape a raw idea into a fleshed-out story ready to be developed in screenplay form.
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FIRST RUN PREMIERE ENGAGEMENT
This moody, contemplative drama explores the unusual and unusually intimate relationship between an aunt and her nephew. They are beautifully happy together but struggling individually with personal issues. As Nadine, Béatrice Dalle (
Betty Blue
) mesmerizes throughout, matched by newcomer Isaïe Sultan’s compelling work as Pierre.
4
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FIRST RUN PREMIERE ENGAGEMENT
This moody, contemplative drama explores the unusual and unusually intimate relationship between an aunt and her nephew. They are beautifully happy together but struggling individually with personal issues. As Nadine, Béatrice Dalle (
Betty Blue
) mesmerizes throughout, matched by newcomer Isaïe Sultan’s compelling work as Pierre.
5
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FIRST RUN PREMIERE ENGAGEMENT
This moody, contemplative drama explores the unusual and unusually intimate relationship between an aunt and her nephew. They are beautifully happy together but struggling individually with personal issues. As Nadine, Béatrice Dalle (
Betty Blue
) mesmerizes throughout, matched by newcomer Isaïe Sultan’s compelling work as Pierre.
6
FILMMAKER EDUCATION
The Green Scene
Monday, February 6, 7:00-10:00 pm
Learn about this increasingly expansive genre and get introduced to the green dialogue taking place on screens big and small all over the world.
FILMMAKER EDUCATION
Aesthetics of Editing
Monday, February 6, 7:00–10:00 pm
This class investigates the many competing issues that editors must keep in mind when cutting a film. Students will analyze early versions of scenes from documentary and narrative works, comparing them to the finished scene.
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FIRST RUN PREMIERE ENGAGEMENT
This moody, contemplative drama explores the unusual and unusually intimate relationship between an aunt and her nephew. They are beautifully happy together but struggling individually with personal issues. As Nadine, Béatrice Dalle (
Betty Blue
) mesmerizes throughout, matched by newcomer Isaïe Sultan’s compelling work as Pierre.
7
FILMMAKER EDUCATION
Level I: Launch Your Screenplay
Tuesdays, February 7–March 27, 7:00–10:00 pm
This class introduces the art of storytelling for the screen through lecture, discussion, film clips, writing exercises and writing workshops.
FILM ARTS FORUM
SFFS Film Arts Forum: Digital Distribution Now
Tuesday, February 7, 7:30 pm
The latest SFFS Film Arts Forum will assemble a panel to debate, demystify, and debunk online distribution in all its varying forms.
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FIRST RUN PREMIERE ENGAGEMENT
This moody, contemplative drama explores the unusual and unusually intimate relationship between an aunt and her nephew. They are beautifully happy together but struggling individually with personal issues. As Nadine, Béatrice Dalle (
Betty Blue
) mesmerizes throughout, matched by newcomer Isaïe Sultan’s compelling work as Pierre.
8
FILMMAKER EDUCATION
Scheduling and Budgeting for Motion Pictures
Wednesday, February 8, 7:00–10:00 pm
Having a concise budget is essential for any business plan if you’re going to raise money for a movie project. This class will cover the script breakdown process.
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FIRST RUN PREMIERE ENGAGEMENT
This moody, contemplative drama explores the unusual and unusually intimate relationship between an aunt and her nephew. They are beautifully happy together but struggling individually with personal issues. As Nadine, Béatrice Dalle (
Betty Blue
) mesmerizes throughout, matched by newcomer Isaïe Sultan’s compelling work as Pierre.
9
FILMMAKER EDUCATION
Level II: The Challenge of the Second Act
Thursdays, February 9-March 29, 7:00–10:00 pm
Beginning with notes from the instructor on your first act, this course will enable you to write and workshop your second act in three sections, while meeting regular deadlines.
FILMMAKER EDUCATION
Writing the Short Narrative Film
Thursdays, February 9–March 1, 7:00-10:00pm
Now that short films rule the Web, it’s time to develop your great idea into a script! Methods for writing screenplays, structuring stories and developing characters will be introduced in this intensive three-week workshop.
SF FILM SOCIETY CINEMA
Domain
February 3–9, 2012
Showtimes 2:00, 4:30, 7:00, 9:30
FIRST RUN PREMIERE ENGAGEMENT
This moody, contemplative drama explores the unusual and unusually intimate relationship between an aunt and her nephew. They are beautifully happy together but struggling individually with personal issues. As Nadine, Béatrice Dalle (
Betty Blue
) mesmerizes throughout, matched by newcomer Isaïe Sultan’s compelling work as Pierre.
MEMBER SCREENING
Members Screening: Chico & Rita
Thursday February 9, 2012; 7:00pm
SFFS members are invited to a free member-only preview screening of
Chico & Rita
. Oscar®-winning director Fernando Trueba (
Belle Epoque
,
Calle 54
) and Spain’s legendary illustrator Javier Mariscal celebrate their passion for the music and culture of Cuba with an epic story of love, passion, and heartbreak.
10
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FIRST RUN PREMIERE ENGAGEMENT
Ceylan’s masterful police procedural, shot on the Anatolian steppes, depicts a group of law officials riding around the countryside searching for a murder site. As the caravan stops and starts, conversations reveal other mysteries. Though the film references classic westerns and rivals their visual splendors, Anatolia is more deeply concerned with the human condition.
11
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FIRST RUN PREMIERE ENGAGEMENT
Ceylan’s masterful police procedural, shot on the Anatolian steppes, depicts a group of law officials riding around the countryside searching for a murder site. As the caravan stops and starts, conversations reveal other mysteries. Though the film references classic westerns and rivals their visual splendors, Anatolia is more deeply concerned with the human condition.
MEMBER SCREENING
Family Members Screening: The Secret World of Arrietty
Saturday February 11, 2012; 11:00am
SFFS Family Members are invited to a free member-only preview screening of
The Secret World of Arrietty
. Residing quietly beneath the floorboards are little people who live undetected in a secret world to be discovered, where the smallest may stand tallest of all. From the legendary Studio Ghibli (
Spirited Away
,
Ponyo
) comes
The Secret World of Arrietty
, an animated adventure based on Mary Norton's acclaimed children's book series "The Borrowers."
12
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FIRST RUN PREMIERE ENGAGEMENT
Ceylan’s masterful police procedural, shot on the Anatolian steppes, depicts a group of law officials riding around the countryside searching for a murder site. As the caravan stops and starts, conversations reveal other mysteries. Though the film references classic westerns and rivals their visual splendors, Anatolia is more deeply concerned with the human condition.
13
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FIRST RUN PREMIERE ENGAGEMENT
Ceylan’s masterful police procedural, shot on the Anatolian steppes, depicts a group of law officials riding around the countryside searching for a murder site. As the caravan stops and starts, conversations reveal other mysteries. Though the film references classic westerns and rivals their visual splendors, Anatolia is more deeply concerned with the human condition.
14
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FIRST RUN PREMIERE ENGAGEMENT
Ceylan’s masterful police procedural, shot on the Anatolian steppes, depicts a group of law officials riding around the countryside searching for a murder site. As the caravan stops and starts, conversations reveal other mysteries. Though the film references classic westerns and rivals their visual splendors, Anatolia is more deeply concerned with the human condition.
15
FILMMAKER EDUCATION
Film Festival Marketing and Publicity 101
Wednesday, February 15, 7:00–10:00 pm
You’ve just finished your film. Now what? Better yet, you’ve just decided to make a film, what should you do now and moving forward to prepare for your future publicity and marketing campaigns?
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FIRST RUN PREMIERE ENGAGEMENT
Ceylan’s masterful police procedural, shot on the Anatolian steppes, depicts a group of law officials riding around the countryside searching for a murder site. As the caravan stops and starts, conversations reveal other mysteries. Though the film references classic westerns and rivals their visual splendors, Anatolia is more deeply concerned with the human condition.
16
SF FILM SOCIETY CINEMA
Once Upon a Time in Anatolia
February 10–16
Showtimes 2:00, 5:30, 8:30
FIRST RUN PREMIERE ENGAGEMENT
Ceylan’s masterful police procedural, shot on the Anatolian steppes, depicts a group of law officials riding around the countryside searching for a murder site. As the caravan stops and starts, conversations reveal other mysteries. Though the film references classic westerns and rivals their visual splendors, Anatolia is more deeply concerned with the human condition.
17
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
SPECIAL RETURN SF ENGAGEMENT
A discursive examination of moral compasses,
Margaret
is the story of a verbally expressive Upper West Side teen named Lisa Cohen (memorably played by Anna Paquin) and her feelings of guilt over a bus accident she is involved in.
18
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
SPECIAL RETURN SF ENGAGEMENT
A discursive examination of moral compasses,
Margaret
is the story of a verbally expressive Upper West Side teen named Lisa Cohen (memorably played by Anna Paquin) and her feelings of guilt over a bus accident she is involved in.
19
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
SPECIAL RETURN SF ENGAGEMENT
A discursive examination of moral compasses,
Margaret
is the story of a verbally expressive Upper West Side teen named Lisa Cohen (memorably played by Anna Paquin) and her feelings of guilt over a bus accident she is involved in.
20
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
SPECIAL RETURN SF ENGAGEMENT
A discursive examination of moral compasses,
Margaret
is the story of a verbally expressive Upper West Side teen named Lisa Cohen (memorably played by Anna Paquin) and her feelings of guilt over a bus accident she is involved in.
21
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
SPECIAL RETURN SF ENGAGEMENT
A discursive examination of moral compasses,
Margaret
is the story of a verbally expressive Upper West Side teen named Lisa Cohen (memorably played by Anna Paquin) and her feelings of guilt over a bus accident she is involved in.
22
FILMMAKER EDUCATION
Craft of Producing: Preproduction and Planning
Wednesday, February 22, 7:00–10:00 pm
This class will cover the development and preparations that go into getting ready to make a film. Both narrative and documentary filmmaking will be discussed.
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
SPECIAL RETURN SF ENGAGEMENT
A discursive examination of moral compasses,
Margaret
is the story of a verbally expressive Upper West Side teen named Lisa Cohen (memorably played by Anna Paquin) and her feelings of guilt over a bus accident she is involved in.
23
FILM SOCIETY CINEMA
Margaret
February 17–23
Showtimes 2:00, 5:30, 8:30
SPECIAL RETURN SF ENGAGEMENT
A discursive examination of moral compasses,
Margaret
is the story of a verbally expressive Upper West Side teen named Lisa Cohen (memorably played by Anna Paquin) and her feelings of guilt over a bus accident she is involved in.
24
FILM SOCIETY CINEMA
Roadie
February 24-29
Showtimes 2:30, 5:00, 7:00, 9:15
FIRST RUN PREMIERE ENGAGEMENT
In Michael Cuesta’s moving character study, middle-aged Jimmy Testagross heads home to Queens after being fired from his roadie job with Blue Öyster Cult. Having lived a nomadic life on tour for most of the past 26 years has rendered him ill-equipped to deal with his present circumstances – his lonely, aging mother; over-inquisitive friends from the past; or his own diminished future.
25
FILMMAKER EDUCATION
Structuring the Character-Driven Documentary
Saturday–Sunday, February 25–26, 9:00am–5:00 pm
Acquisition executives from HBO, PBS and Sundance want story-driven films that deliver an engaging narrative. This two-day seminar will reveal essential narrative building blocks.
FILM SOCIETY CINEMA
Roadie
February 24-29
Showtimes 2:30, 5:00, 7:00, 9:15
FIRST RUN PREMIERE ENGAGEMENT
In Michael Cuesta’s moving character study, middle-aged Jimmy Testagross heads home to Queens after being fired from his roadie job with Blue Öyster Cult. Having lived a nomadic life on tour for most of the past 26 years has rendered him ill-equipped to deal with his present circumstances – his lonely, aging mother; over-inquisitive friends from the past; or his own diminished future.
26
FILM SOCIETY CINEMA
Roadie
February 24-29
Showtimes 2:30, 5:00, 7:00, 9:15
FIRST RUN PREMIERE ENGAGEMENT
In Michael Cuesta’s moving character study, middle-aged Jimmy Testagross heads home to Queens after being fired from his roadie job with Blue Öyster Cult. Having lived a nomadic life on tour for most of the past 26 years has rendered him ill-equipped to deal with his present circumstances – his lonely, aging mother; over-inquisitive friends from the past; or his own diminished future.
27
FILM SOCIETY CINEMA
Roadie
February 24-29
Showtimes 2:30, 5:00, 7:00, 9:15
FIRST RUN PREMIERE ENGAGEMENT
In Michael Cuesta’s moving character study, middle-aged Jimmy Testagross heads home to Queens after being fired from his roadie job with Blue Öyster Cult. Having lived a nomadic life on tour for most of the past 26 years has rendered him ill-equipped to deal with his present circumstances – his lonely, aging mother; over-inquisitive friends from the past; or his own diminished future.
28
FILM SOCIETY CINEMA
Roadie
February 24-29
Showtimes 2:30, 5:00, 7:00, 9:15
FIRST RUN PREMIERE ENGAGEMENT
In Michael Cuesta’s moving character study, middle-aged Jimmy Testagross heads home to Queens after being fired from his roadie job with Blue Öyster Cult. Having lived a nomadic life on tour for most of the past 26 years has rendered him ill-equipped to deal with his present circumstances – his lonely, aging mother; over-inquisitive friends from the past; or his own diminished future.
29
FILMMAKER EDUCATION
Shooting HD With Digital SLR Cameras
Wednesday, February 29, 7:00–10:00 pm
Learn how to manage beautiful moving images affordably and take control of a new and potentially industry-changing technology.
FILM SOCIETY CINEMA
Roadie
February 24-29
Showtimes 2:30, 5:00, 7:00, 9:15
FIRST RUN PREMIERE ENGAGEMENT
In Michael Cuesta’s moving character study, middle-aged Jimmy Testagross heads home to Queens after being fired from his roadie job with Blue Öyster Cult. Having lived a nomadic life on tour for most of the past 26 years has rendered him ill-equipped to deal with his present circumstances – his lonely, aging mother; over-inquisitive friends from the past; or his own diminished future.
1
2
3
4
5
FILMMAKER EDUCATION
Understanding Independent Cinema
Mondays, March 5 and 12, 7:00pm-10:00pm
CANCELED
- Industry insider and SFFS executive director Bingham Ray (formerly of October Films, United Artists, Sidney Kimmel Entertainment) explores strategies and tactics for producing independent films.
6
FILMMAKER EDUCATION
Grant Writing Essentials
Tuesday, March 6, 7:00–10:00 pm
Learn how to craft an effective grant proposal for your project that can be adapted for multiple applications.
7
FILMMAKER EDUCATION
Craft of Producing: In Production
Wednesday, March 7, 7:00–10:00 pm
How do you know when you’re ready for production? What are some of the pitfalls of production, and what can you do to prevent them? In this class we will talk about the process of production.
8
9
10
DEVELOPER'S NOTE: http://www.sffs.org/list.aspx
Your Email
Your Message
(up to 200 characters)
URL: http://www.sffs.org/list.aspx BROWSER: CCBot/1.0 (+http://www.commoncrawl.org/bot.html)